{"id":7210,"date":"2017-08-12T12:23:54","date_gmt":"2017-08-12T10:23:54","guid":{"rendered":"https:\/\/laszlo-music.com\/?page_id=7210\/"},"modified":"2022-01-06T16:39:25","modified_gmt":"2022-01-06T15:39:25","slug":"2-2","status":"publish","type":"page","link":"https:\/\/laszlo-music.com\/en\/2-2\/","title":{"rendered":"REVIEWS &#8211; CLIPPINGS"},"content":{"rendered":"<p>[vc_row iron_row_type=&#8221;full_width&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;80&#8243;][vc_single_image image=&#8221;6879&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; img_fullwidth=&#8221;img_fullwidth&#8221;][vc_empty_space height=&#8221;40&#8243;][vc_column_text]<\/p>\n<h3 style=\"text-align: center;\">REVIEWS &#8211; CLIPPINGS<\/h3>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;40&#8243;][\/vc_column][\/vc_row][vc_row iron_row_type=&#8221;in_container&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<h4>VICTORIA AND HER HUSSAR &#8211; PAUL ABRAHAM<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>The soloists of the Vienna Thalia Theater sang brilliantly: Frauke Sch\u00e4fer in the title role of Viktoria, LASZLO MALECZKY as her hussar, &#8230;<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>SPRING PARADE &#8211; ROBERT STOLZ<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>The tenor LASZLO MALECZKY, an icon of operetta and pop culture, who has returned to Austria after a long journey, sings and plays the noble Gustav von Laudegg in a very virile and decisive manner. Physical sensuality is in the foreground for him and his partner Simona Eisinger as the singer Hansi Gruber.<\/p><\/blockquote>\n<blockquote><p>Here you can enjoy music and acting with the singer Hansi Gruber (wonderfully played by Simona Eisinger) and her aristocratic lover Gustl von Laudegg (impressive voice of LASZLO MALECZKY).<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>THE COUNT OF LUXEMBOURG &#8211; REN\u00c9<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>As Count of Luxembourg, LASZLO MALECZKY is an ideal cast. He combines youthful charm with a large stage presence, ennobles the melodies with his distinctive, warm tenor, which has the necessary ounce of metallic radiance despite all the lyrics. &#8230; The waltz song &#8220;Is it you, laughing happiness?&#8221; and &#8220;Dear friend, one does not reach for the stars&#8221; both form (note: soprano and tenor) the highlights of the performance.<\/p><\/blockquote>\n<blockquote><p>Not only vocally convincing, but also particularly good-looking, LASZLO MALECZKY played and sang the title role splendidly between nobility and bohemian, waste and greed.<\/p><\/blockquote>\n<blockquote><p>Luxurious melodies and a lively production made the performance of Franz Lehar&#8217;s &#8220;The Count of Luxembourg&#8221; a complete success. &#8230; und LASZLO MALECZKY (Graf) \u00fcberzeugte mit ausgezeichneter Gesangsleistung.<\/p><\/blockquote>\n<blockquote><p>At her side LASZLO MALECZKY as the prince&#8217;s son Edwin Ronald, who, amidst the roller coaster of his feelings and disappointments, has strong performances and with his brilliant tenor on top of that.<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>THE HOUSE OF THE THREE GIRLS &#8211; BARON SCHOBER<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>LASZLO MALECZKY, the mysterious &#8220;Mister X&#8221;, around whom the whole story revolves, sings brilliantly and is an ideal cast for the main roles in terms of figures and acting &#8230;<\/p><\/blockquote>\n<blockquote><p>&#8230; And the &#8220;Phantom of the Circus&#8221; also fulfilled this maxim of endowing the operetta with artistic seriousness: LASZLO MALECZKY sang with a brilliant, bright tenor about lost happiness, about the fear of failure; soft but without &#8220;lard&#8221; in love affairs, dramatic as he reveals his identity. What makes a good performance was required here.<\/p><\/blockquote>\n<blockquote><p>&#8230; as the mysterious &#8220;Mister X&#8221; in a black costume and with a black mask in front of his eyes &#8230; When he learns Fedora&#8217;s identity, old feelings awaken in him, which he expresses in soulful love songs. Here, the Mister X actor LASZLO MALECZKY shines with an enthusiastic, flattering voice, which paints every mood in both sentimental songs and quick-tempered melodies. In the main roles were inter alia. Frauke Sch\u00e4fer as Princess Fedora Palinska, LASZLO MALECZKY as &#8220;Mister X&#8221; &#8230; to cheer. The performance impressed with the high quality of the singing and the sensitive stage implementation &#8230; LASZLO MALECZKY as &#8220;Mister X&#8221; is believed to be both the circus rider and the abdicated officer, but above all the lover of nobility &#8230;<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>THE HOUSE OF THE THREE GIRLS &#8211; BARON SCHOBER<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>LASZLO MALECZKY who, as Baron von Schober, comes up with a really radiant tenor and with &#8220;Leise flehen meine Lieder&#8221; (the original by Schubert) can certainly win over many a woman&#8217;s heart in the audience &#8230;<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>THE BEGGING STUDENT &#8211; JAN JANICKI<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>The audience, who filled the ranks of the premiere at the premiere, experienced the joy of playing, temperament and the finest music, especially when LASZLO MALECZKY makes a spirited hero as Jan, both acting and singing.<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>THE GYPSY BARON &#8211; BARINKAY<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>The audience gave the &#8220;Gypsy Baron&#8221; long and powerful applause. The star in &#8220;Gypsy Baron&#8221; was LASZLO MALECZKY as Sandor Barinkay, who clearly stood out from the ensemble with his clear tenor voice.<\/p><\/blockquote>\n<blockquote><p>The entanglements around the returned landowner Sandor Barinkay in Hungary in the 18th century and his search for a bride are loosely knitted and amusing to look at. The singer LASZLO MALECZKY and his gypsy bride are the outstanding soloists of the evening.<\/p><\/blockquote>\n<blockquote><p>At the festival, the orchestra concentrated entirely on the rousing and lively melodies and formed the fiery rhythms of Hungarian folk music with a lot of vigor. LASZLO MALECZKY as Barinkay sings his part with great emphasis and flawless intonation.<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>THE MAGIC FLUTE &#8211; TAMINO<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>&#8220;Is it also reality what I saw?&#8221; Asks LASZLO MALECZKY in the role of Prince Tamino. Noble size and true longing for the femininity seen in the picture determine his singing and acting, excellent representation.<\/p><\/blockquote>\n<blockquote><p>The quality of the \u201cMagic Flute\u201d was a surprise. This Mozart opera, which is not infrequently performed, harbors many traps. &#8220;Tamino&#8221; is in excellent hands with LASZLO MALECZKY, both in terms of singing and acting.<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>COUNTESS MARIZA &#8211; COUNT TASSILO<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>In the role of Tassilo, LASZLO MALECZKY chose the cautious approach of approach with a lot of tenoral enamel. The way he saved his two belcantist high-class hits, &#8220;Gr\u00fc\u00df mir mein Wien&#8221; and &#8220;Komm Zigany&#8221;, from falling into kitsch, was one of the vocal highlights. With a great production by &#8220;Countess Mariza&#8221;, the Landestheater proves how inspiring operettas can still be can. Lively, harmonious, overflowing with ideas and vocally homogeneous, the performance offers tension and humor from the first to the last minute &#8230; This time the actors were also excellent. LASZLO MALECZKY stands out from the ensemble as Count Tassilo &#8230;<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text]<\/p>\n<h4>THE BAT &#8211; ALFRED<\/h4>\n<p>[\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text]<\/p>\n<blockquote><p>Nicely packaged in bright colors and yet with intelligent content &#8211; there can be more of productions like this &#8220;Fledermaus&#8221; &#8230; Rosalinde and Alfred (LASZLO MALECZKY) turned their performances in the first act into a vocal, funny and even erotic experience. &#8230;<\/p><\/blockquote>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row iron_row_type=&#8221;full_width&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;80&#8243;][vc_single_image image=&#8221;6879&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221; img_fullwidth=&#8221;img_fullwidth&#8221;][vc_empty_space height=&#8221;40&#8243;][vc_column_text] REVIEWS &#8211; CLIPPINGS [\/vc_column_text][vc_empty_space height=&#8221;40&#8243;][\/vc_column][\/vc_row][vc_row iron_row_type=&#8221;in_container&#8221; iron_remove_padding_medium=&#8221;&#8221; iron_remove_padding_small=&#8221;&#8221; iron_overlay_pattern=&#8221;&#8221; iron_parallax=&#8221;&#8221; iron_bg_video=&#8221;&#8221;][vc_column][vc_column_text] VICTORIA AND HER HUSSAR &#8211; PAUL ABRAHAM [\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text] The soloists of the Vienna Thalia Theater sang brilliantly: Frauke Sch\u00e4fer in the title role of Viktoria, LASZLO MALECZKY as her hussar, &#8230; [\/vc_column_text][vc_empty_space height=&#8221;50&#8243;][vc_column_text] SPRING PARADE &#8211; ROBERT STOLZ [\/vc_column_text][vc_empty_space height=&#8221;30&#8243;][vc_column_text] The tenor LASZLO MALECZKY, an icon of operetta and pop culture, who has returned to [&hellip;]<\/p>\n","protected":false},"author":790,"featured_media":0,"parent":0,"menu_order":24,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.12 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>LASZLO MALECZKY - TENOR - REVIEWS - OPERA - OPERETTA<\/title>\n<meta name=\"description\" content=\"REVIEWS IN THE OPERA AND OPERETTA BY LASZLO TENOR | TAMINO IN THE MAGIC FLOET | GYPSY BARON | FOR LEGAL REASONS, NO INFORMATION POSSIBLE FROM AUTHOR AND MEDIA\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/laszlo-music.com\/en\/2-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"LASZLO MALECZKY - TENOR - REVIEWS - OPERA - OPERETTA\" \/>\n<meta property=\"og:description\" content=\"REVIEWS IN THE OPERA AND OPERETTA BY LASZLO TENOR | TAMINO IN THE MAGIC FLOET | GYPSY BARON | FOR LEGAL REASONS, NO INFORMATION POSSIBLE FROM AUTHOR AND MEDIA\" \/>\n<meta property=\"og:url\" content=\"https:\/\/laszlo-music.com\/en\/2-2\/\" \/>\n<meta property=\"og:site_name\" content=\"OPERA TENOR - LASZLO MALECZKY\" \/>\n<meta property=\"article:modified_time\" content=\"2022-01-06T15:39:25+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/laszlo-music.com\/en\/2-2\/\",\"url\":\"https:\/\/laszlo-music.com\/en\/2-2\/\",\"name\":\"LASZLO MALECZKY - TENOR - REVIEWS - OPERA - OPERETTA\",\"isPartOf\":{\"@id\":\"https:\/\/laszlo-music.com\/#website\"},\"datePublished\":\"2017-08-12T10:23:54+00:00\",\"dateModified\":\"2022-01-06T15:39:25+00:00\",\"description\":\"REVIEWS IN THE OPERA AND OPERETTA BY LASZLO TENOR | TAMINO IN THE MAGIC FLOET | GYPSY BARON | FOR LEGAL REASONS, NO INFORMATION POSSIBLE FROM AUTHOR AND MEDIA\",\"breadcrumb\":{\"@id\":\"https:\/\/laszlo-music.com\/en\/2-2\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/laszlo-music.com\/en\/2-2\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/laszlo-music.com\/en\/2-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\/\/laszlo-music.com\/en\/offizielle-website-3\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"REVIEWS &#8211; 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